Natalia Brizuela

Associate Professor of Modern and Contemporary Latin American Literature & Culture. Her work focuses on photography, film and contemporary art, critical theory and aesthetics of both Spanish America and Brazil. She is the author of two books on photography. The first, Fotografia e Imperio. Paisagens para um Brasil Moderno (Cia das Letras, 2012) is a study of 19th Century photography in Brasil in its relationship to modern state formation, nationalism, modernization and race. The second, Depois da fotografia. Uma literatura fora de si (Rocco, 2014) is a study of contemporary literature in an expanded field, looking particularly at the relationship between current literary practices and photographic languages, techniques and materialities. She is also the co-editor of a special issue of the Journal of Latin American Cultural Studies (2015) on photographers Grete Stern and Horacio Coppola, and of a book of essays on experimental writer Osvaldo Lamborghini (2008). She is guest editing a Special Issue of Film Quarterly on Brazilian filmmaker Eduardo Coutinho (forthcoming Spring 2016).

She is currently at work on two book length projects. The first looks at instances of contemporary photographic production which have moved beyond the medium and material historical conditions of photography. The second one is a study of time as critique in contemporary aesthetics.

Selected Recent Publications
Depois da fotografia. Uma literatura fora de si (Rocco: Rio de Janeiro, 2014). Print.

Fotografia e imperio. Paisagens para um Brasil moderno (Cia das Letras: Sao Paulo, 2012). Print.

Co-editor with Alejandra Uslenghi, Modern Argentine Photography: Horacio Coppola and Grete Stern, Special Issue of Journal of Latin American Cultural Studies 2 (2015). Print.

Grete Stern, Horacio Coppola, and the Question of Modern Photography in Argentina“, Journal of Latin American Cultural Studies Special Issue 2 (2015): 243-265. Print.

Light Writing in the Tropics. The Story of Hercules Florence“, Aperture 2015 (Summer 2014): 41-50. Print.

Pasajes: mi trabajo de arte como un todo“, NO SÉ (El templo del sol). Nuno Ramos (Buenos Aires: Parque de la Memoria, 2014). Print.

Iconografías Sarmentinas“, (with Adriana Amante), Historia crítica de la literatura Argentina, volumen Sarmiento (Buenos Aires: Emecé, 2012): 580-612. Print.

“Transposicao. Fotografia de Caio Reisewitz”, Zum. Revista de fotografia (Sao Paulo: Instituto Moreira Salles, 2012). Print.

“Ver tudo. Um percurso pelo panorama”, Panoramas: a paisagem brasileira (Sao Paulo: Instituto Moreira Salles, 2012): 150-169. Print.