Tom McEnaney

  • Assistant Professor

  • 4327 Dwinelle Hall
  • W 3-5 (and by appointment)

Assistant Professor of Latin American and Caribbean Literature and Culture. His work emphasizes the connections between Argentine, Cuban, and U.S. literature, the history of media and technology, sound studies, linguistic anthropology, computational (digital) humanities and new media studies. He has contributed articles to Cultural Critique, La Habana Elegante, Representations, Revista de Estudios Hispánicos, Sounding Out!, Variaciones Borges, and others. His book, Acoustic Properties: Radio, Narrative, and the New Neighborhood of the Americas (FlashPoints at Northwestern University Press, 2017) investigates the co-evolution of radio and the novel in Argentina, Cuba, and the United States. The book charts the rise and fall of populism and state socialism, and how authors in these countries began to re-conceive novel writing as an act of listening in order to shape the creation and understanding of the vox populi. Before returning to Berkeley, he was an Assistant Professor in the Department of Comparative Literature at Cornell University. While at Cornell, Professor McEnaney also founded the Latin American Journals Project, an online archive and hub of digitized literary journals and newspapers from throughout Latin America and the Hispanophone Caribbean. The aim of this project is to increase access to and work with these extraordinary journals for people across the world. (Ph.D., University of California, Berkeley)

Selected recent publications

Acoustic Properties: Radio, Narrative, and the New Neighborhood of the Americas (FlashPoints at Northwestern University Press, 2017)

 “This American Voice: The Odd Timbre of A New Standard in Public Radio” (Forthcoming in The Oxford Handbook of Voice Studies, 2018)

 “The Archaeology of A Discipline and the Discipline to Come: A Response to Michael Allan’s In the Shadow of World Literature” in Immanent Frame (August 2017).

“Real-to-Reel: Social Indexicality, Sonic Materiality, and Literary Media Theory in Eduardo Costa’s Tape Works” in Representations 137 (Winter 2017): 145-168.

“Introduction: Language-in-Use and Literary Fieldwork” (w/Michael Lucey) (Introduction to a special issue on “Language-in-Use and the Literary Artifact”) in Representations 137 (Winter 2017): 1-22.

“Realismo Sonoro y Fidelidad Literaria: Las obras de cinta de Eduardo Costa” in Revista de estudios hispánicos, Tomo L, Número 2 (Junio 2016): 371-386.

“No Transmitter: Clandestine Radio Listening Communities in Ricardo Piglia’s The Absent City” in Cultural Critique no. 91 (Fall 2015): 72-97.

“Wireless Materials: Radio Cultures in Ireland, Latin America, and the United States at the Mid-Century (A Review Essay)” in Sound Studies: An Interdisciplinary Journal, Vol. 1, No. 1 (2015): 171-176.

 “Hello Americans: Hemispheric Perspectives and Orson Welles” in Sounding Out!, August, 2013.

“Diane…The Personal Voice Recorder In Twin Peaks” in Sounding Out!, April 2, 2012.

“The Digital Revolution? History, Photography, and the Body of Fidel Castro” in La Habana Elegante, No. 49, Primavera-Verano 2011.