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Department of Spanish & Portuguese : UC, Berkeley 

Writer in Residence: Ruy Duarte de Carvalho

9 Apr

Writer in Residence – Spring 2008

April 7th - May 3rd

Ruy Duarte de Carvalho

Sponsor: Portuguese Studies Program

Co-sponsors: Spanish and Portuguese Department and Instituto Camões

Ruy Duarte de Carvalho was born in Santarém, Portugal, in 1941. He grew up in the south of Angola, where he accompanied his father – adventurer and elephant hunter – on trips through the Namibian desert. He later studied cinematography in London and anthropology at the École des Hautes Études (Sciences Sociales) in Paris. Having returned to Angola, he worked as a sheep farmer and studied traditional oral poetry in various African languages. He also devoted himself to studying, photographing and filming the desert peoples of his country and their traditions. At present he is a professor at the University of Luanda. He is also active as an anthropologist, prose writer, filmmaker, photographer, researcher and painter, but is best known as a poet. He is considered not only to be Angola’s most prestigious poet but also one of the most important poets of the Portuguese language area, on a par with, for example, the Brazilian Ferreira Gullar or the Portuguese Nuno Júdice – both old acquaintances of Poetry.

August Willemsen  (Translated by Martin Earl)

Some Publications:

Chão de oferta (1972); Decisão de idade (1976); Exercícios de crueldade (1978); Sinais misteriosos… Já se vê…(1979); Ondula, savana branca (1982); Lavra paralela (1987); Hábito da terra (1988); Memória de tanta guerra (1992, anthology); Ordem de esquecimento (1997); Observação Directa (2000); Actas da Maianga (2003); Vou lá Visitar Pastores (1999); Os papéis do Inglês (2000); as paisagens propícias (2005).

A rare multiplicity of texts is intertwined in Ruy Duarte de Carvalho’s work, in each one of his books. Hence, this fiction author - who is also ethnographer, anthropologist, and essayist – brings the cinematographic and photographic imagination to his work: as an ethnographer, the auto-reflexivity of an essayist is mingled with the analysis and the description’s accuracy; as a photographer or as a film director, it is also present the density of the written text, and the agronomist’s attention to the geographical and human landscapes; also, in his whole work, the poet is always present, in an incessant quest “ for the adaptation of the word to the experience’s condition”, exploring deliberately “the semantic flesh of the words”.

A new book by Ruy Duarte de Carvalho was just released (Centro Cultural de Belém, Lisboa, February 2008), focusing on cinema and on its connexions to literature and to anthropology.

José António B. Fernandes Dias (adapt.)

Events in the Department of Spanish and Portuguese

(Open to all interested)

April

  • 10th  -  12:00 to 1:00    Spanish & Portuguese Library + followed by refreshments
  • 14th  -  2:00 to 3:00   125 Dwinelle
  • 17th  - 4:00 to 6:00 Spanish & Portuguese Department - Conference Room - Dwinelle Hall
  • 22nd  -  9:30 to 11:00   101 Wheeler

Professor Ruy Duarte de Carvalho will have an office in the Spanish and Portuguese Department. Please check his office hours in Dwinelle 5219.

Click here to view this document in Word. 

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Today! 13 March 2008: Lecture by Prof. Paul Julian Smith

13 Mar

The Department of Spanish and Portuguese & the Film Studies Program

Invite you to a lecture by

Prof. Paul Julian Smith
Cambridge University

Entitled

"Women on the Verge of an Urban Breakdown: City Girls in Almodóvar’s Cinema and Television"

Thursday, March 13, 2008
12 Noon
Spanish and Portuguese Library
5125 Dwinelle Hall

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13 March 2008: Lecture by Prof. Paul Julian Smith

11 Mar

The Department of Spanish and Portuguese & the Film Studies Program

Invite you to a lecture by

Prof. Paul Julian Smith
Cambridge University

Entitled

"Women on the Verge of an Urban Breakdown: City Girls in Almodóvar’s Cinema and Television"

Thursday, March 13, 2008
12 Noon
Spanish and Portuguese Library
5125 Dwinelle Hall

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Today! Workshop: “Modernities: Visual & Political Economies”

29 Feb

The Department of Spanish and Portuguese, the Center for Latin American Studies, and the Townsend Center invite you to the second workshop in the series

MODERNITIES: VISUAL AND POLITICAL ECONOMIES

Prof. Darcy Grimaldo Grigsby, UC Berkeley
"Cutting Panama"

Prof. Francisco-J. Hernández Adrián, Duke University
"Surrealism, Indexicality, Value: Óscar Domínguez and Wifredo Lam"

Friday, February 29, 2008
1:00PM - 3:00PM
5125 Dwinelle Hall
Spanish Department Library

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Pedro Costa: Schedule of Events

22 Feb

Mr. Pedro Costa
2007-08 Regents' Lecturer

Schedule of Events

Department of Spanish and Portuguese
Student Sessions with Mr. Pedro Costa

Monday, March 3, 6:30pm
Spanish & Portuguese Library
5125 Dwinelle Hall, UCB

Friday March 7, 2:00pm
Spanish & Portuguese Library
142  Dwinelle Hall, UCB

Film Presentations and Public Lecture

Pacific Film Archive Theater
Location:  2575 Bancroft Way, Berkeley

Saturday, March 1, 2008 
6:30 p.m.Colossal Youth
Widely acclaimed as one of the best films of 2006, this experimental docu-fiction captures life in a Cape Verdean neighborhood of Lisbon. “A work of cinematic art.”—N.Y. Times.

Sunday, March 2, 2008
3:00 p.m.The Blood
Two young boys flee through nocturnal Portugal in this shimmering tribute to ’50s noir.

Sunday, March 2, 2008
5:30 p.m.Bones
Costa’s austere portrait of Lisbon’s junkies, schemers, and dreamers. “Out-Bressons Bresson.”—Cinematheque Ontario. With short Ne change rien.

Thursday, March 6, 2008
6:00 p.m.Where Does Your Hidden Smile Lie?
This documentary on legendary filmmaking duo Straub/Huillet is “quite simply a masterpiece.”—Senses of Cinema.

Thursday, March 6, 2008
8:45 p.m.Sicilia!
Straub/Huillet’s adaptation of the notorious political novel Conversations in Sicily. “See Sicilia! And live again!”—Libération. With Costa short 6 Bagatelas.

Saturday, March 8, 2008
7:00 p.m.In Vanda’s Room
Vermeer-like, becalmed portrait of twilight Lisbon. “A standard by which to judge humanist cinema.”—Cinematheque Ontario.

Sunday, March 9, 2008
3:00 p.m. University of California, Regents’ Lecture by Pedro Costa (Admission Free!)
Costa discusses his remarkable films that mix documentary and fictional elements, focusing on his Fontaínhas trilogy.

Sunday, March 9, 2008
5:00 p.m.Down to Earth
Costa’s politicized reimagining of Tourneur’s I Walked with a Zombie. With short Tarrafal.

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About Pedro Costa, 2007-2008 Regents’ Lecturer

22 Feb

Pedro Costa is an artist in residence at UC Berkeley - Department of Spanish & Portuguese, March 1 through 9, and presents the Regents’ Lecture at PFA on March 9.

Still Lives: The Films of Pedro Costa

“I think that Costa is genuinely great.”—Jacques Rivette

Acclaimed in Artforum, Cahiers du cinéma, Film Comment, and Cinema Scope, the Portuguese director Pedro Costa is possibly the most intriguing, relevant filmmaker at work today, captivating viewers with his spare, austere aesthetic, willful ambiguity, and combination of documentary, avant-garde, and fiction. While his slow-burn, trancelike style is wholly his own, Costa’s earthy portraits of the immigrant and marginalized communities of Lisbon’s slums have emerged from a recognizable, classic narrative background of Ford, Lang, Ozu, and Chaplin, touched with the more modernist palette of Straub-Huillet and Béla Tarr.

Born in Lisbon in 1959, the former rock guitarist Costa entered the then nascent Lisbon Film School in 1977, existing on a steady diet of cinema classics and contemporary criticism that were soon channeled into his astounding debut film, The Blood. His later features, especially his Fontaínhas neighborhood trilogy, abandoned the hectic cineaste’s dazzle of The Blood for a nuanced, intimate, rigorous aesthetic of observation and poetic interludes, marked by Vermeer-like domestic tableaux and a compassionate attention to his dispossessed, forgotten characters. Costa’s method, shooting over extended periods and working with non-actors “playing” fictional versions of themselves, adds an intimacy unprecedented in either fiction or documentary. “Few movies,” wrote Dennis Lim in the New York Times, “are as concretely rooted in physical reality or as profoundly attentive to their social context as Mr. Costa’s. Staking out a radical middle between documentary and fiction, he has invented a heroic and quite literal form of arte povera, a monumental cinema of humble means.”

Jason Sanders
Associate Film Notes Writer  

The Pedro Costa retrospective was organized by Ricardo Matos Cabo, Lisbon, and is coordinated at PFA by Kathy Geritz. Pedro Costa’s Regents’ Lectureship at UC Berkeley is sponsored by the Department of Spanish and Portuguese. We are grateful to the following institutions and individuals for making this series possible: Cinemateca Portuguesa-Museu do Cinema, Instituto do Cinema e Audiovisual (ICA), Ministério da Cultura; Instituto Camões - Ministério dos Negócios Estrangeiros; Portuguese Studies Program/Institute of European Studies, UC Berkeley;Lusomundo Audiovisuais, and Midas Filmes, Portugal; Thom Andersen; João Bénard da Costa; Haden Guest; and James Quandt.

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29 February 2008, Workshop: “Modernities: Visual & Political Economies”

21 Feb

The Department of Spanish and Portuguese, the Center for Latin American Studies, and the Townsend Center invite you to the second workshop in the series

MODERNITIES: VISUAL AND POLITICAL ECONOMIES

Prof. Darcy Grimaldo Grigsby, UC Berkeley
"Cutting Panama"

Prof. Francisco-J. Hernández Adrián, Duke University
"Surrealism, Indexicality, Value: Óscar Domínguez and Wifredo Lam"

Friday, February 29, 2008
1:00PM - 3:00PM
5125 Dwinelle Hall
Spanish Department Library

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Today! Symposium: Spain & Portugal in a Globalized Context

15 Feb

The Department of Spanish and Portuguese, The Townsend Center for the Humanities, The Portuguese Studies Program, The College of the Humanities of the University of California, Berkeley present:

A Symposium on Spain & Portugal in a Globalized Context

with

Francisco Marcos-Marin, Professor, University of Texas at San Antonio,
Catedrático (Ret.), Universidad Autónoma de Madrid,
Professore Ordinario per chiara fama (Ret.),
Università di Roma "La Sapienza"

To speak on

Spanish & Portuguese for Public Services in a New Global Context

&

Amando De Miguel
Professor Emeritus, Universidad Complutense de Madrid,
Visiting Professor, University of Texas at San Antonio

To speak on

Mutual social images of Spaniards & Portuguese

Friday, February 15th, 2008
From 2:00 to 5:00 p.m.
Townsend Center for the Humanities
Geballe Room, Stephens Hall

A reception will follow

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Symposium: Spain & Portugal in a Globalized Context

11 Feb

The Department of Spanish and Portuguese, The Townsend Center for the Humanities, The Portuguese Studies Program, The College of the Humanities of the University of California, Berkeley present:

A Symposium on Spain & Portugal in a Globalized Context

with

Francisco Marcos-Marin, Professor, University of Texas at San Antonio,
Catedrático (Ret.), Universidad Autónoma de Madrid,
Professore Ordinario per chiara fama (Ret.),
Università di Roma "La Sapienza"

To speak on

Spanish & Portuguese for Public Services in a New Global Context

&

Amando De Miguel
Professor Emeritus, Universidad Complutense de Madrid,
Visiting Professor, University of Texas at San Antonio

To speak on

Mutual social images of Spaniards & Portuguese

Friday, February 15th, 2008
From 2:00 to 5:00 p.m.
Townsend Center for the Humanities
Geballe Room, Stephens Hall

A reception will follow

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Today! Conference: “The End of the Old Regime in the Iberian World”

9 Feb

CONFERENCE

The End of the Old Regime in the Iberian World

(Click here to download the current program

  • Friday, February 8, 9:30 a.m. - 5:30 p.m.
    223 Moses Hall
  • Saturday, February 9, 9:30 a.m. - 5:30 p.m.
    Morrison Room, Doe Library

Presented by the UC Berkeley Spanish Studies Program and Portuguese Studies Program of the Institute of European Studies

Well-established and younger specialists in history, literature and the history of art will come together for a two-day conference marking the 200th anniversary of Napoleon's invasion of Portugal and Spain that set off events leading to the end of their absolute monarchies and the break-up of their American empires.  The conference will draw on new research and the experience of senior scholars to rethink the significance of these developments for the cultural, social, and political life of the Iberian world on both sides of the Atlantic.

LECTURE, Janis Tomlinson

After the Hero: Goya in Context, 1814-1824

Friday, February 8, 7:30 p.m.  
Berkeley Art Museum Theater

An integral part of the above conference, copresented by the Berkeley Art Museum

Admission Free

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phone: 510 . 642 . 0471
fax: 510 . 642 . 6957

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LUCERO, A GRADUATE STUDENT JOURNAL 

Lucero, a graduate student journal of Iberian and Latin American Studies, features research papers and articles of general interest on a wide variety of subjects

We are currently working on the online version, which will be launched in a few weeks.

SEMMYCOLON: SEMINARIO DE ESTUDIOS MEDIEVALES, MODERNOS Y COLONIALES 

Semmycolon (Seminario de Estudios Medievales, Modernos y Coloniales) brings together a multi - disciplinary group of lecturers and graduate students to conduct research into culture, literature, arts, history, and politics from the Middle Ages to the early 18th Century in both the Western and the Colonial worlds.

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